So this morning I woke up a few minutes later than I’d hoped, with only a few minutes before the sun would be up here in Northern California. Threw on my shorts and a shirt and headed down to the old Cascade Theater to get some cool shots for today’s blog. Well, I got those shots, as well as some cool tilt-shift shots of an old Ford Anglia parked near the theater, but what I was really taken by were a few people hangin’ out on the street this early morning. People with stories, both in their souls and in their hands. Glen, whose hands you see here, was one such fellow. Glen, who’s had a pretty eventful life, is moving into Redding for a bit, with plans to embark on new adventures soon. I’ll be seeing Glen again soon, as I’ve promised to bring him some prints of the couple of shots I made of him. Once I’ve shown him this post, and gifted him some prints, I’ll ask him if he’d like me to share more of his life with you all.
Nifty-Fifty
Most of you are probably familiar with the term Tabula Rasa, the theory that people are born without a built-in programing or mental content (nature); instead, the theory supposes that individuals gain knowledge through perception and knowledge (nurture). When I came across this old box of test tubes, I imagined that the East Germans who worked here may have used some of these very tubes (and the labs I explored during yesterday’s URBEX) to see what they could do to scribble code into the genes of their society (like their athletes). By the way, we found some really interesting things (some cool, some bizarre) that provided an interesting snap shot of what the folks who lived and worked here might have been like back in the days of the DDR (aka GDR).
I had actually intended to post another image today, but chose to post-process and upload this one instead, following a great question I received on Twitter today. The, in short: When shooting HDR brackets in low light environments, would I rather open the aperture more, or would I rather increase the ISO, if trying to maintain reasonable shutter speeds (read: 30 seconds or faster)? Answer: I’d be far more inclined to open that aperture more. Take today’s photo for example; by the time I shot this, the sun was already down. So I turned to my trusty Nikkor 50mm f/1.4, dropped my ISO to L1.0 (Nikon speak for ISO 100), set my aperture to f/2.0 (only because I wanted just a wee bit more depth of field than the wide-open setting of f/1.4 would give me, and bracketed away. I ended up with the fastest exposure being 1/125 sec and the slowest 1/30 sec. Not bad, and I was off to shoot my next set elsewhere without having to wait several minutes for the bracketing to completer, had I dialed in f/11 or f/16. The above said, everything also depends on the importance of what you’ve got goin’ on in the background. In this photograph, the background was not as important as the subject, and I lost nothing by letting it blur out with the larger aperture. Had I been shooting a scene where I also wanted the background objects to be crisp and clear, I would have closed her down to f/5.6 or f/8 (and raised the ISO to 200) and fired away, and still been done with the brackets in a reasonable time. Bottom line, for me at least, is I’d rather open the aperture up more, and lose depth of field, than increase the ISO, because I prefer really clean (relatively noise free) RAW brackets to work with when shooting HDR. Your results may vary! (NOTE: Yes I do shoot the Nikon D700, and yes it handles noise really, really well, but I still choose to shoot my HDR brackets at ISOs no higher than 200 because I don’t like how Photomatix increases noise significantly when working with brackets with high ISOs)..
I’m one of those dudes who has GOT to TAKE a picture every day, or I get antsy. Heck, I don’t even care if I ever process it! It’s the sheer joy of looking at (or creating) a scene to shoot, assessing the light, framing the shot, and pressing the shutter. Oh, that sweet sound of the click of the shutter. So sublime.  I’ve captured a subject — a look, a gesture, a glance, a beam of light, a shadow — that has never existed precisely the same way before and will never exist the same way ever again. Mere seconds later, the sun dipped further, the shadows shifted, the temperature cooled, and the moment was gone…. forever. But I will always have it in my little black box of a camera, and now that I’ve processed it, you can share that very moment with me as well. It’s almost like being there!
